Showing posts with label H-D WLA 42. Show all posts
Showing posts with label H-D WLA 42. Show all posts

Jose's Immaculate WLA

A Restoration Mission.

Jose's WLA

Jose’s immaculate WLA 42 was one of the standout bikes at the Gold Coast Bike show so I asked if we could feature it in Heavy Duty.

A few weeks later we met up and headed out for a cruise around the ‘Glitter Strip’ and a sit-down for a chat about the bike and its history.

This is one supreme head-tuning motorcycle and it drew a small crowd of appreciative onlookers everywhere we stopped. When we did get away from the crowd and talked it made for a very interesting yarn - told in a still-strong Spanish accent that’s been softened by 30 years of living in Australia.

“I’ve always been keen on motorcycles, ever since I was a boy, but when I finally grew out of 250’s I found that a Harley was ‘it’. Ever since I was 17 or 18 years old I had a ‘special’ for the Harleys. I especially like the mechanicals. When I open up an engine, and see everything, and find out how it works, well that’s just fantastic. It’s why I really like the WLA, you can easily see how everything works.”

This is Jose’s first WLA and he has owned it since 1987. “I bought it Albury where it had been used on a farm and it was a complete basket case. It wasn’t just in bad condition – it was in no condition at all! It wasn’t running and many of its parts were missing. It had been used around a farm and on a lot of dirt roads. It was very run down. Unfortunately the ‘before’ photos have been lost over time, but it would surprise you to see what a state it was in.”

Then Jose brightened, “It took me quite a few years to find everything that needed replacing on the bike. I was lucky that I travelled to the USA a few times back then and the parts were easier to find. It took me about five years to get the bike to its current state.”

“I also liked the challenge of improving things as I restored it. I’m still doing that now. I’m still working on it.” He calls the project, “Incomplete”.

“Every time I find something that will benefit the bike or add to its safety, I add it. As you probably noticed it has indicators now, purely for safety. I modified the Driving lights and headlight mountings and made new brackets especially - and I rebuilt the seat on the original base and re-upholstered it to suit.”

“Then there is the exhaust system. I had problems with the junction of the two pipes on the standard system. There was a right-angle join where the two engine pipes met and it used to burn through the under side of the join. So I made two separate pipes and used original ‘Civilian’ mufflers.”

“The difference between Civilian and ‘Military’ WLA mufflers was that the Army bikes had fishtails”.

It is also worth noting that as we rode along with Jose to take the photos that the bike does sound absolutely fantastic, with a deep, rich rumble.

Jose also pointed out that “Another difference between Military and Civilian models was that when Harley stopped making military models they started supplying the bikes with an extra support on the rear guard - for the addition of a Pillion seat. It’s interesting because this particular bike’s frame numbers indicate that it was made in September 1942, however the engine was replaced with an original unit, but from a later model’s, some time in early 1960’s.”

The paint on the bike is a cream on cream combination that Jose chose to emulate the look of a WLA that was supplied to a range of Dealers in the US. “In the beginning there were only two colours available, black and green, then they added a ‘little bit lighter green and a little bit lighter black’ but those colours were dull, so they were repainted in very popular non-original colours for the domestic market.

Jose has a number of future plans for the machine. “I will improve the clutch system. The foot clutch is rather ‘romantic’”, He smiles. “It looks OK, and I like the levers and everything, but for practicality and safety I’m working on a new system with a hydraulic hand lever-operated clutch. It will involve a new actuating rod. I have already installed an original lever from the right hand side and mounted the cable. For those that aren’t familiar with the controls on a WLA-42, the set up is completely different to a modern bike. The throttle is still on the right hand twist grip but the front brake was originally on the left. Also on the left hand is the firing advance and retard control that needs to be co-ordinated with the throttle. The rear brake is on the right foot and the clutch is on the left pedal. The gear change is a suicide shift next to the tank. As you can imagine this takes a lot of getting used to after riding modern motorcycles. A hand lever clutch will make the bike safer. All that’s left to do in engineer that actuator.”

“Riding this bike takes practice and you have to practice a lot. If you do practice it’s not a problem, but the real issue with this type of bike is when there is a lot of traffic. Because there is no ‘ventilation’ it gets very hot and then it gets very hard to keep it in tune with the manual advance and retard. However for a man my size it’s perfect because it has the lowest saddle height of any Harley I’ve ridden. I did have a beautiful 2003 Road King too, but I found it to be a bit too heavy for my liking. The WLA is much more manageable in that way.”

Overall Jose describes his journey with this awesome WLA as a “Real adventure and a learning experience. In the beginning I didn’t have much knowledge and I didn’t know where to find things out - where to source documents, manuals and information. It was very different to go from European to American bikes and it was also very different to today. There was no internet or search engines for example. I learned by going to Bike shows, swap meets and events and talking to many people. This is where the real knowledge is. You find out what goes with what - and whatnot.”

He summed it all up nicely. “Maybe I don’t have knowledge on a lot of things, but on the bikes that I touch, I like to know everything – every part, nut and bolt.”

On this beautiful build we’d say it’s ‘Mission Accomplished’.



Guts and Bolts

Harley-Davidson WLA
Year: 1942
Engine and transmission
Displacement: 740.00 ccm (45.15 cubic inches)
Engine type: V2, four-stroke
Max Power 23hp @ 4,600rpm
Fuel system: Carburettor.
Fuel control: Sidevalves
Gearbox: 3 Speed Hand Shift
Final drive: Chain
Front suspension: Leading link -coil springs
Rear suspension: Rigid
Front brakes: Expanding brake (drum brake)
Rear brakes: Expanding brake (drum brake)
Dry weight: 244.9 kg (540.0 pounds)
Paint: 2 pack


Al's 1940's Military Motorcycles

Al Magarry's two perfect restorations at Petrie Village. A 1945 Navy Shore Patrol Model U and a US Army WLA 42. The girls were doing a retro photo shoot at the same location by coincidence and we put the two and the two together.


And some video walk arounds:


Quick Spin - Nikon D800

I had this sort of finished look in mind. Depends on the art director though, and he's very good.



Most Satisfactory.

After 5 years, thousands of miles travelling on motorcycles and multiple trips around its image counter, my Nikon D90 has moved into partial retirement. Superseded by a new D800.

I've driven the dog, lizards, frogs spiders and anything else that that lives around my yard crazy for a few days as I practised changing mode and parameters in preparation for the new unit's work debut.

After the first outing I'd say it proved most satisfactory in the field.

The inaugural job was for Heavy Duty Magazine. A stunning restoration of a 1945 Harley-Davidson 'Big Twin' in US Navy livery. The folk at the Maritime Museum in Brisbane allowed us access to their dry dock area for the shoot. All I had to do was ask. Awesome.

I took the whole kit.

D800 body, 16-28 Tokina, 28-300 Nikor, 50mm f1.8 Nikor, Speedlight and my Canon video rig and radio mic in another bag.

It all worked being transported on the KLR just fine. Backpack and a shoulder bag (you'd wear one for this gig too, Sweetie). It's reasonably weatherproof - and I have a couple of Pelican case options if it looks real inclement.

By the time we unloaded the bike and set up it was bright overcast and 0830.

To business.

K.I.S.S.
The controls on the D800 are quite simple. I guess Nikon figure you know what you are doing by this price range - so there aren't many options compared to my consumer cameras - no pre-fab helpers, 'sports' or 'fireworks' settings. I'm quite happy with that. I only ever use 'sports' mode on them anyway. Less clutter.

On the D800 you get Manual, Shutter Priority, Aperture Priority, Programme mode (with a custom option) - and you are on your own.

Shooting types are single shot, burst, countdown/self timer, mirror up and bulb.

Average 103-104Mb images when opened.
Burst/multiple exposure mode is slow for the money, but that's due to the massive images. It's genuine medium format stuff. Rapid fire sports and action shooting is a pretty small component of my usage lately.

Not that the D800 can't crank up the shutter and ISO speeds at all. Just the burst rate is low.

ISO will dial to 6400 and beyond, yeah 6400 - but images get muddy up that high. ISO 2000 is viable though. Shutter speeds go to stupid fast.

The knobs, controls and dials all work well. I sometimes still hit where the image review zoom-in button was on the D90, but that's just muscle memory I will forget soon enough. I didn't fumble at all changing settings on the shoot. Quite intuitive.

The only real annoyance so far is that the Nikon infrared trigger doesn't work on the D800. It requires a hardware cable. On the plus side it probably justifies buying a cam-ranger http://www.camranger.com for night (and video) work.

Also the self-timer can be dialled down to 2 seconds delay for those times where I need to eliminate camera shake - but it's no good for my occasional requirement of firing the camera from a distance.

But that's the end of gripes. The body is mighty impressive.
Tons of features I haven't used yet too. The Time lapse and long exposure stuff I'll get to soon.

GLASS:
The 16-28 Tonika is some fun. It surprises me how 'macro' it will go with close up subjects.  It's also nice for showing the full story.



The Nikor 28-300 is very versatile and captures a reasonably sharp image for a zoom lens. A mild unsharp mask in photoshop and they are very tidy.

At full 300mm extension
100mm Focal Length

But as has happened before, I think my favourite bit of glass is the cheapest. The Nikor 50mm F1.8 got the killers from the shoot. Also somewhat down to the location and conditions.

First assignment - 1945 Harley-Davidson Big Twin


All in all, a most satisfactory debut.

Updates to follow - I have 4 test bikes booked over the next few weeks/months.

AL's 42 WLA Restoration

Video article for Heavy Duty Magazine featuring a stunning military Harley.